Atjazz is both the stage name of British producer and DJ Martin Iveson and the descriptor for a sophisticated style of jazz-influenced house music that has evolved over the past three decades. Emerging in the mid-1990s in the United Kingdom, Atjazz began his musical career as a composer for video games and quickly gravitated toward deep house production, creating tracks that blended soulful grooves, jazzy harmonies, and intricate rhythms. His early releases, including Story and That Something, established his signature style: smooth, melodic, and rhythmically engaging house music that draws heavily on the improvisational sensibilities and harmonic richness of jazz. Unlike pure jazz or Afro-jazz, Atjazz is firmly rooted in electronic music but frequently incorporates Afro-influenced rhythms, broken-beat elements, and soulful textures, particularly in collaborations with South African and international producers. These rhythmic and harmonic qualities give the music a warm, hypnotic, and emotionally resonant character, making it ideal for late-night listening, lounge environments, creative work, or introspective moments, where its combination of steady deep house beats and jazzy melodic layers can be both relaxing and stimulating.
The Atjazz sound is influenced by the broader evolution of deep house and soulful house, subgenres that originated in the 1980s and 1990s in Chicago, Detroit, and the UK. Pioneers like Kerri Chandler, St Germain, Jimpster, and Jazzanova laid the groundwork for fusing jazz harmonies with house grooves, while Atjazz pushed these ideas further with his melodic sophistication, percussive texture, and modern electronic production. Contemporary artists and DJs who continue to shape the Atjazz sound include Jullian Gomes, Felipe Gordon, Glenn Underground, Chaos In The CBD, Session Victim, Karizma, Mark Farina, Miguel Migs, Floetic, Coco, Abel & Rona Ray, !Sooks, and Lay-Far & Jonny Miller, among others. Their tracks are regularly played in underground clubs, boutique lounges, sophisticated late-night venues, and international festivals, particularly in cities such as London, Berlin, Cape Town, New York, Paris, Amsterdam, and Dubai. These venues favor music that combines groove and sophistication, creating an atmosphere that is simultaneously energetic and chill, relaxing yet danceable.
Listeners of Atjazz-influenced music tend to be those who appreciate melodic depth, intricate rhythms, and emotional resonance in electronic music, including club-goers, lounge patrons, late-night radio audiences, and DJs looking for tracks that can blend seamlessly in long-form sets. The music is often described as soulful, immersive, warm, and hypnotic, evoking moods of relaxation, introspection, sophistication, and subtle euphoria. While it is not fully Afro-jazz, many tracks incorporate Afro-centric rhythmic sensibilities, syncopation, and polyrhythmic percussion that give the music global appeal and connect it to both jazz and world music traditions. Atjazz sets, mixes, and productions have become a staple in international playlists, curated radio shows, and DJ sets worldwide, making the style both timeless and continually relevant in 2026.
Atjazz as a musical concept comprises deep house beats, soulful harmonies, jazzy chord progressions, textured electronic layers, and sometimes Afro-inspired rhythmic motifs, creating a rich auditory landscape that appeals to both casual listeners and devoted electronic music fans. The music has a growing international audience, spanning Europe, North America, Africa, the Middle East, and Asia. Its adaptability allows DJs to mix tracks seamlessly across different moods, whether for intimate lounge settings, late-night clubs, or festival stages. The global Atjazz scene thrives on creativity, musicality, and groove, highlighting a blend of electronic sophistication and soulful expression that continues to influence modern deep house and nu-jazz productions around the world.
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